The BEST episodes of Magical Angel Creamy Mami
Every episode of Magical Angel Creamy Mami ever, ranked from best to worst by thousands of votes from fans of the show. The best episodes of Magical Angel Creamy Mami!
Morisawa Yuu is a 9 year old girl who lived in Creamy ga Oka. Her parents ran a crepe shop. One day she went to a race track and a magical ship came out of the sky. There was a little guy Pinopino who gave her a magic stick. He said that Yuu can use it for one year. He left two cat-like creatures Nega and Poji to look after Yuu. The magic stick allowed Yuu to transform into a 15 year old girl called Creamy Mami. Creamy Mami appeared at a TV studio and became a new idol after singing one song.
#1 - Scramble Top Ten
Season 1 - Episode 4 - Aired 7/28/1983
The hysterical frenzy over Creamy Mami's debut song evenly divided between people buying the album and converging on the upcoming concert obfuscates that the magical idol is actually Yuu Morisawa effecting the mirage of being infirm -- although she almost blows it at the mention of her favorite dish. Yuu finds that the successful concert at Parthenon Productions as Creamy Mami does her no good against Natsume's zeal to impart her maternal perspective on her subterfuge or the impromptu test for sleeping in class; if those problems are not enough, Toshio's teasing and a collision into Midori costs Yuu her compact right when she is going to need it the most. Yuu's frantic search for the compact gets a big boost from Toshio explaining that Midori at the amusement park has it; while she successfully conquers the high-stakes aerial adventure necessary for its retrieval, Yuu ultimately ends up igniting Megumi's vendetta of Creamy Mami.
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#2 - In Danger?! Mami's Secret!
Season 1 - Episode 5 - Aired 7/29/1983
While watching Hayato Kidokoro tie himself in knots answering the telephones, Shingo revels in the prospect of Parthenon Productions flourishing and thriving when Nega admonishes against keeping Natsume and Tetsuo waiting for too long at home prior to reminding her about the reporters; it is the search for a place to cancel her henshin before beginning the home commute that Megumi obtains enough vicarious data to conclude that Yuu Morisawa and Creamy Mami are one and the same prior to taking revenge by searching for a way to prove her hypothesis. While Midori has gathered the courage to convey his affection for her the next day, he is crestfallen to have Yuu race right by him oblivious to nearly bowling over Toshio on her way to the Studio where following Posi's suggestion to kill time exploring lands Yuu right in Megumi's clutches whose plan becomes more likely to succeed by the minute along with the prospect of Megumi blowing the whistle on Creamy Mami. The ironic deus ex machina that enables Yuu to turn the tables comes in the form of Toshio and Midori finding themselves the vendetta of an unreasonable and persistent sentry whose chase ends where Yuu is being held; thanks to Posi and Nega helping with the back-end logistics, Yuu successfully extinguishes Megumi's hypothesis.
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#3 - The Legend of the Stage
Season 1 - Episode 6 - Aired 8/5/1983
While Hayato and Shingo compare notes with Megumi about whether Creamy Mami will be punctual for an advertisement filming in a wilderness area reputed to have a black stag that has been visiting unto the locals bad luck, Yuu daydreams about being on a date with Toshio cured of his Creamy Mami addiction but causes a misunderstanding on the train when she speculates out loud Toshio and Midori's hidden motives for the outing; during the bus ride from the train station, Nega and Posi compare notes about the legend describing a magical stag that once resided on the Feather Star along with the pros and cons of emancipating the mystical ungulate from its subterranean prison. The astonished adoration of the black stag quickly gives way to it being time for Yuu to do her thing as Creamy Mami. The black stag's risky shortcut whose zenith is being trapped on a high rock ledge has the ironic silver lining of ultimately being the commercial Creamy Mami is to have done originally; now his former golden normal-sized self, the stag explains Mami his prologue and leaves behind the capability to manipulate the environment as he returns to the Feather Star.
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#4 - Debut! Debut!!
Season 1 - Episode 3 - Aired 7/15/1983
Toshio's efforts to temper Midori's expectations of spending time with Yuu obfuscate the fact that Yuu herself is grappling with the disadvantages of being Creamy Mami -- the greatest of which is the narcissistic and fanatical Shingo Tachibana hell-bent on making Mami a star with his company as he orders his staff to find her. The panic Yuu is driven into at the sight of Toshio explaining Shingo his recent encounters with Creamy Mami while Midori tries to steal lustful glances at her illustrates the immense contention that Yuu undergoes as she tries to keep her double life as Creamy Mami a secret although Tetsuo and Natsume are picking up some piecemeal clues; nevertheless, Yuu unwisely decides to »debut« before Toshio so that she can explain things and nudge him toward the rest of his life but is shocked to find that Shingo has other ideas and is not taking no for an answer. Facing the backdrop of Shingo and Megumi ultimately having made the choice for her, Creamy Mami begins her career at Parthenon Productions in earnest.
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#5 - The Memory that Vanished into the Sea
Season 1 - Episode 16 - Aired 10/14/1983
Even though he has royal responsibilities that take precedence over it by far, the prince Ayumi exerts a great effort to reconnect with his childhood friend Toshio who is practicing his soccer skills with Midori when Yuu arrives wanting to join in; Yuu is not as practiced in soccer as Toshio and loses control of the ball. Toshio's ball now in hand, Yuu encountering Ayumi sets the stage for a sequence of reminiscing before the sentries force the kids into a hasty retreat. Now at the wrecked ship, Yuu happily runs around exploring the ship with Midori on her heels before deciding to search for the treasure in earnest; things go sour when Midori inadvertently knocks the ship loose from its resting place where the waves can easily capsize it. Yuu finds Ayumi's treasure but is ultimately forced to forego it to save everybody as Creamy Mami when the ship begins sinking; as far as Ayumi is concerned, the opportunity to spend time with Yuu and Toshio is a far greater treasure than the gold statue he had intended for her.
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#6 - A Star is Born!
Season 1 - Episode 2 - Aired 7/8/1983
Undaunted by the spanking received from Natsume last night, Yuu steals out of the house early in the morning in order to test her powers as Creamy Mami; while Yuu admires herself as Creamy Mami, Nega and Posi get into a divergent concourse over who is to blame for Yuu successfully sneaking away when Mami decides to drop in for a visit to see if Tetsuo and Natsume can recognize her before flirting with Toshio as she leaves. Meanwhile, Shingo Tachibana is dismayed to have it explained that Megumi Ayase and her manager Hayato Kidokoro are stuck in traffic along with finding that he has to resolve all the office politics caused by such a development until he encounters Mami walking around; a whirlwind of customization and instruction later, Creamy Mami is enjoined for a song whose lyrics the host withholds from her. Even if Creamy Mami successfully improvises a song and escapes the stampede of her newfound fans, Yuu is still stuck with a lengthy home commute whose resolution ultimately requires Toshio as a deus ex machina -- after Creamy Mami admonishes Toshio to behave dignity and respect unto Yuu.
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#7 - A Bouquet for the Big Boss!
Season 1 - Episode 7 - Aired 8/12/1983
Parthenon Productions receiving a heartfelt letter from a boy named Kenji facing a surgery that could prove just as deadly as the disease it is meant to treat tugs on Hayato's heartstrings while Shingo sees it as a professional opportunity as he charges Hayato a schedule change for Creamy Mami. The convoy of news vans provides Kenji the perfect excuse to go investigate the hullabaloo with his derisive neighbors; while Yuu tries to give her swim coach the slip after Midori intercedes for her, the actual situation is demonstrated to be somewhat more complex than meets the eye when it turns out that it is Kenji's yakuza grandfather Tamegoro Zenigami that needs the pep talk. Shingo and Hayato have quite the imbroglio on their hands: it is a public relations disaster if it is argued they have ties to the yakuza and also if they spurn a young boy's entreaty for assistance because of what he was born into. While the mirage Creamy Mami leads Kenji and Shingo through takes care of the other reporters, the tabloid reporter known as Snake Joe is not so easily dispatched. Snake Joe's attempt to pervert Creamy Mami's humanitarian compassion to his professional advantage becomes the forum for Kenji's former detractors to ultimately show their true colors after Mami asserts her innocence; a telekinetic juggling act from Posi and Nega instigates Snake Joe's retreat and Tamegoro's successful recovery.
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#8 - The Ship of Feather Star
Season 1 - Episode 1 - Aired 7/1/1983
The story begins with our heroine Yuu Morisawa watching the Feather Star descend for a landing oblivious to the hefty workload at the crepe shop that her parents Natsume and Tetsuo are desperately trying to resolve on their own; a clumsy stumble into her childhood friends Toshio Ootomo and Midori Kisaragi later, the panicked Yuu votes with her feet using Tetsuo's scooter into a frenzied pursuit sequence whose zenith is four police cars and a helicopter along with Toshio on a bike. Oblivious to the chaos that she has caused with her mad dash through town, Yuu is enthralled with the Feather Star as it comes in for a landing; upon learning that she can see the Feather Star, the two alien cats Posi and Nega draw Yuu aboard where there is a dysphoric fantasy dream sequence that gives way to an encounter with the grateful alien Pino-Pino. Having some family government imparted at the breech upon arriving home sets the stage for the ultimate silver lining of Yuu finding that Natsume and Tetsuo are not hostile to housing the two alien felines who later lead her through utilizing her new-found magical powers; after some cryptic and perplexing trial and error, Yuu successfully initiates her first henshin into Creamy Mami.
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#9 - Kurimigaoka flour war
Season 1 - Episode 40 - Aired 4/6/1984
Snake Joe is awakened from a sound sleep of Creamy Mami having perverted his subterfuge to his detriment once too often by Kumiko who exhorts his assistance in the synthesis of okonkomiyaki; after giving the matter some thought, Snake Joe reconsiders as he sets in motion a bid to have his revenge by attacking the Morisawa family economy. Tetsuo and Natsume have quite the imbrogilo on their hands: they do not realize Yuu has been leading a double life as Creamy Mami right under their noses; still, not yielding this data to Snake Joe will scuttle their economy. Realizing that Snake Joe will at best break even with his incumbent tactics as he washes the van alongside Mamoru who explains Kumiko's commercial prologue in Osaka, Tetsuo decides to hold a contest while Snake Joe approaches Creamy Mami with a contest challenge of his own: whichever of the two businesses Creamy Crepes or Okonkomiyari Car of Fire sells the most in a week wins. During the calendar week of the competition, both businesses employ various tactics fair and foul to build their clientele base at whose acme is Kumiko availing her father's friends from Osaka in the Car's favor; the ultimate irony is that it is Kumiko's father and his friends that also forces Snake Joe to resolve the aftermath of his earlier subterfuge.
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#10 - Yuu's flashdance
Season 1 - Episode 31 - Aired 2/3/1984
While Tetsuo pours the crepe batter and decides what flavor to use, Natsume teases him about how he has programmed Yuu to always have male friends as evidenced by Mamoru who arrives with Yuu; it seems that Yuu and Mamoru have been charged a school essay they have no idea how to resolve. When she arrives outside with the crepes, Natsume explains Mamoru Yuu's prologue of having all kinds of adulthood aspirations before getting back to work. What Yuu is shocked to find at the dance school the next morning makes Tetsuo and Natsume's »Contain yourself this instant!!!« family government for celebrating being given the green light last night seem quite tame: the dance school expecting its students to have prior background data on several dance styles. Undaunted by the persecution, Yuu decides to defeat the dance school at its own aptitude test as she takes to preparing for it through various avenues. The ironic silver lining of Yuu unsuccessfully defeating the test is that Toshio ultimately acknowledges his human fallibility along with Yuu's efforts at refining herself while Yuu decides upon becoming a beautiful bride for her essay.
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#11 - Jurassic monster Ojira!
Season 1 - Episode 39 - Aired 3/30/1984
A group of anglers exerting a collaborative effort to haul ashore the net with the latest bounty becomes the forum for Yuu to marvel at the beauty of the sea with both Toshio and Midori right on her heels as Shingo explains Tetsuo and Natsume that he is always searching for places to relax from the stress of showbiz. After dodging the tide a few times, Yuu playfully teasing Toshio about Mami before sprinting away sets the stage to have mentioned the monster of local legend named Ojira; after having the legend explained in more detail, Yuu eagerly wants to investigate only for Natsume to shout her down. Ironically, it is Yuu's zeal to investigate the nocturnal commotion along with Nega and Posi's anxiety that provides the only warning for everybody to flee before Ojira stomps the inn flat. Tsuyoichi Yamane's invitation to his mobile oil platform becomes the preamble for another appearance by Ojira confused by the fog; the root cause of its »aggression« now clearly understood, it is no trouble for Creamy Mami to clear up the misunderstanding and guide Ojira back to its home environment.
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#12 - Heart-fluttering fan club
Season 1 - Episode 38 - Aired 3/23/1984
Creamy Mami enthralling her fans who admire her music with every concert she does throughout her career quickly gives way to encountering fanatics whose shouting during a concert nearly causes a riot in the auditorium and in the streets where it is explained that the »fanatics« are members of the Mami Fan Club. While Shingo panics as Hayato explains him the High Society Club along with its leader Shinosuke Hyoudou, Toshio fumes in frustration at Creamy Mami and Yuu falling into Shinosuke's sway so easily as he suspects that Shinosuke has ulterior motives -- a sentiment reflected in a phone call he makes that night. Shinosuke's sinister strategy is obfuscated very poorly by his enjoinder for the Fan Club to forbid cheering during the concert much to Mami's delight. Mami accidentally leaving Nega and Posi behind in the car becomes the ironic deus ex machina for ultimately learning what Toshio and Nega have been suspecting all along about Shinosuke; an abrupt bite out of crime later, Mami daydreams about whether she will encounter true love when she is older when Hayato reminds her of the concert.
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#13 - Marian's eyes
Season 1 - Episode 37 - Aired 3/16/1984
Upon arriving at Parthenon Productions, Creamy Mami has it explained that she is to participate in a fashion show the next day whose feature presentation is the wedding dress known as »Marian's Eyes« whose colorful prologue includes a curse that makes all the women who wear it commit suicide; after completing her henshin, Mami encounters the dress in the adjacent room with a bloodstain on it and again when Megumi is unsuccessful in fulfilling the required dimensions of the unsoiled dress. If that is not unsettling enough for Mami, Producer Todoroki signaling an interest in Kyouko Benikouji along with a postcard admonishing against wearing the »Marian's Eyes« becomes the forum for the mystery of finding a way to defeat the dress's suicidal curse. The only way is to incinerate the dastardly dress -- a volition that the circumstances successfully stalemate; the ultimate irony is not that Mami is a tough customer but that the whole thing is an authentic but slightly cruel double-blind appraisal of Mami for a movie role at the hands of Shingo and Director Karatsu.
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#14 - Galaxy circus 1984
Season 1 - Episode 36 - Aired 3/9/1984
After an afternoon game of tag with Mamoru who then gives chase after a flock of nightingales flying north, Yuu assuming an iconoclastic perspective for viewing the sunset before deciding to engage in some role-playing with Toshio sets the stage for the two kids to encounter Peter Lyne who leads the two kids through a tour of the Galaxy Circus. Caught up in the moment, Yuu decides for a henshin to Creamy Mami as the assistant to the circus exhibition she finds herself in while Toshio gets a big clue of a deviant diagnostic when Peter signals an interest in taking Yuu with him when the Circus leaves -- by any means necessary fair or foul. The ultimate silver lining of Yuu being hypnotized into performing on the trapeze is that Yuu realizes that she would much rather have Toshio teasing her than Peter coaxing her through difficult and dangerous circus tricks; after he explains Yuu his prologue, Peter departs with the Circus and the admonition that their next engagement will be in 1991.
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#15 - Tachibana-san becomes a woman!?
Season 1 - Episode 35 - Aired 3/2/1984
Between getting slapped by Megumi and being twisted in knots over Creamy Mami arriving at the last minute along with the strict nocturnal curfew she observes, Shingo is an absolute nervous wreck; in an attempt to set his mind at ease, he taps Megumi in prosecuting an undercover investigation to learn the data necessary to successfully summon Creamy Mami at will. Megumi counters with an admonition that Shingo should do his own dirty work before leading him through a metamorphosis into the persona Hitomi that galvanizes the chivalry and libido of every male in the vicinity much to Shingo's paranoid dismay; still, none of this compares to Shingo as Hitomi being lusted after by Hayato and his own father Governor Tachibana. While Posi and Nega divide their energies between speculating on Shingo's rationale for the transvestitism and recoiling with revulsion at the concept, Yuu decides to do some investigating of her own oblivious to the hullabaloo Hayato and Governor Tachibana are causing over Hitomi. When this chaotic circus reaches its ultimate zenith, absolutely nobody is happy -- least of all Yuu who has been forced to act as an errand girl only to be eviscerated because of Toshio and Midori's poor performance.
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#16 - Snake Joe's counterattack
Season 1 - Episode 34 - Aired 2/24/1984
Fuming at having been given his walking papers, Snake Joe harbors dark feelings as he contemplates the deus ex machina that recoups his groove; meanwhile, Creamy Mami finds herself charged adherence to a strict deadline when Toshio exhorts company during the home commute on the train with Midori. Snake Joe's stakeout of Creamy Crepes pays off when Mami arrives at home to reply her parents' call; armed with the data of her response, Snake Joe then tries to capitalize upon this by conducting a »Candid Camera« exposé whose back-end logistics are a bit difficult because of his professional prologue. As the exposé begins, it appears that Snake Joe's subterfuge is right on track when Creamy Mami is shocked to see Tetsuo and Natsume but keeps composed about it until a bandit invades the store. The irony of the whole thing is that Snake Joe ultimately has it demonstrated that the success of his subterfuge can have far worse consequences than failure; while he did actually succeed in illuminating the link Creamy Mami has with Tetsuo and Natsume, Snake Joe finds that the joke is on him when the »bandit« demands his non-existent salary while Yuu learns to exercise greater discretion.
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#17 - The 'atchoo!' of horrors
Season 1 - Episode 33 - Aired 2/17/1984
Even though he is not thrilled with having to participate in the subterfuge necessary for Yuu to manage her double life as Creamy Mami, Nega finds it no trouble at all to conduct himself like a carefree housecat -- a lifestyle that he is starting to pay for when he contracts a cold that causes his body to expand with every sneeze. Nega's speculation with Posi about why Earthlings contract illnesses that are unheard of on the Feather Star prompts the offended Yuu to offload Nega out of her cowl as she decides him a strict exercise regimen. The next morning, Yuu is shocked to find that Nega's ailment is not the straightforward matter of excessive corporeal mass it appears to be; while Yuu desperately taps Toshio and Midori for answers, Natsume panicking over Nega's deteriorating condition brings things to a head when a veterinarian decides to X-ray Nega. The skeleton key to the whole three-ring circus to secure Nega's survival from both the cold and dissection ultimately rests with Mamoru compiling the necessary reagents to prepare an herbal home remedy along with some old-fashioned and optimistic TLC from Yuu and Posi.
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#18 - The Valentine of just the two of us
Season 1 - Episode 32 - Aired 2/10/1984
Tetsuo and Natsume look on with delight as Yuu prepares some home-made chocolate before deciding to playfully tease her as if she were a small child clumsy in the kitchen before Yuu derails them with the mention of the »ingredient of love« as she joins Posi and Nega on the roof; after the love spirit infuses her chocolate, Nega explains Yuu that the epilogue is a reflection of her efforts going forward. Galvanized by the data of home commute conclusion much to his social chagrin, Yuu races ahead to customize Toshio's room the next afternoon with Posi and Nega's help not realizing that Toshio has stopped to read the magazine on the way home. Yuu races out to greet Toshio whose preoccupation with what he thinks is a love letter from Creamy Mami ignites a divergent concourse that prompts her to repudiate Toshio in disgust and run away in tears; after commiserating with the anguished Mami Shinoda at the park, Yuu sets course for a church that is a crucial component of her prologue with Toshio who is at a loss for what he is doing wrong. Midori interjects himself as the ultimate deus ex machina for both Toshio and Yuu to see the light regarding their human fallibility at the site of Toshio's most altruistic intercession for her.
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#19 - Final stage
Season 1 - Episode 52 - Aired 6/29/1984
The ambiance is intense as the audience awaits Creamy Mami's arrival so that the concert can get underway; upon seeing the audience population tabulation, Shingo is overjoyed as he recalls his entire prologue with Creamy Mami who wishes a solo concert much to his shock as he wonders why Mami feels the need to rush her professional career. The frustrated Megumi ironically becomes the deus ex machina that enables the concert to begin in earnest; amid short-circuiting electrical equipment that gives Shingo cause to suspend the concert, Creamy Mami sings with everything she has even though she knows the outcome along with Posi and Nega as Toshio feverishly searches for an apparatus to test his hypothesis that Yuu and Creamy Mami are one and the same. Just as Mami prepares to sing the final song, the Feather Star's descent for a landing clearly visible to everybody sets the stage for Mami to have explained to her that the deal is over especially since Toshio has remembered everything. After contributing special effects to complement Mami's final song as a final parting gift, Pino-Pino gets underway with Posi and Nega as he tells Yuu he is not hostile to an occasional visit before depositing her right where Toshio can escort her home.
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#20 - Beware, lest you overstudy
Season 1 - Episode 41 - Aired 4/13/1984
The opening ceremony for the new semester sets the stage for Yuu to find herself the disciple of a freshly graduated Yuuichirou Akagi who shocks class 5-1 with a test to appraise their academic prowess; if that tactic by itself is not enough to raise red flags like with Mamoru, Yuuichirou makes a house call to the homes of the students that fail the test -- a population comprising most of class 5-1. Upon having this explained to her, Natsume decides to flirt with Yuuichirou when he comes for a visit; not long after he arrives, Yuuichirou wastes no time getting right down to business with Yuu's academic performance becoming the forum for a hard sales pitch to a cram school in which the other students are not thrilled about Yuu's presence or her affinity for pacing herself. Mamoru's concern about what the cram school will end up doing to Yuu ultimately becomes the catalyst for Natsume being forced to acknowledge her fallibility when Yuu falls ill right before a crucial exam along with having demonstrated that success has far worse consequences than failure in some cases.
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#21 - Mama's memory of the stage
Season 1 - Episode 42 - Aired 4/20/1984
Yuu's seventh heaven as she finishes her home commute from school is obliterated at the reality of Tetsuo being forced to shoulder all the work of running the shop while the TV show »Japan Idol« prompts Natsume to enroll Yuu in the singing competition in which Creamy Mami is one of the judges; upon finding that Shingo is on auto-pilot and cannot be bothered to accommodate her, Yuu is forced into availing several different kinds of subterfuge -- all of which backfire on her. Shortly before she goes on stage for the preliminaries, Yuu encounters the host Ryan Seacrest who has a flashback of his former disciple Natsume Fujino without realizing that Yuu is her daughter; caught up in the moment, Yuu forgets about her plan to throw the preliminaries and sails into choppy water with Tetsuo when she then tries effecting the mirage of being infirm as part of her subterfuge to smuggle herself out of the house. Mamoru intercepting Posi and Nega as they prepare to orchestrate a hullabaloo to obfuscate the reversal of the Creamy Mami henshin ultimately has the ironic silver lining of Natsume resolving her childhood prologue with Ryan and demonstrating the importance of doing her own dirty work.
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#22 - Run, Yuu! Faster than a turtle
Season 1 - Episode 43 - Aired 4/27/1984
When he gave her directions to meet in studio 606, Hayato Kidokoro never predicted that Yuu would misread the memo as studio 909 nor that Yuu would actually find it; if that is not enough, Yuu finds herself back 11 years in time to when Natsume was still gestating her. The Keeper of Time Balibali is overjoyed to have a visitor to interact with; Yuu's affinity for interactive demonstration rather than passive explanation becomes the preamble for all heck to break loose when Yuu emancipates the two time tortoises Piku and Dina which waste no time in wreaking havoc that gives birth to a strange new world borne from the past and future mixing with the present. After a »Get with the program!!!« scolding from Posi and Nega to take responsibility for fixing things, Yuu races off to search for Balibali but is forced to forsake learning the identity of the groom upon finding her future self as a bride because of the dire circumstances when Piku and Dina give chase after the pair not at all keen on having their fun spoiled. It ultimately takes a blast of magic at studio 909 before Yuu successfully subjugates the renegade reptiles and sets things right.
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#23 - SOS! Escape from the dream storm
Season 1 - Episode 44 - Aired 5/4/1984
Capitalizing on a lull in the action one afternoon, Shingo decides to demonstrate his newly-endorsed helicopter piloting prowess during a flight around town much to Megumi's consternation; in contrast, Creamy Mami is in absolute seventh heaven as she enjoys the aerial perspective of the city and takes in stride Shingo losing his concentration in shock of Mami not understanding his soliloquy extolling the virtues of flight. After the circus of Megumi trying to egress the helicopter while in flight and Shingo frantically trying to regain control, Hayato relaying the call of real life sets the stage for a dream storm to swamp the helicopter into a alternate reality plane that allows Toshio to hear the helicopter but not to see it; if that is not enough, even Posi and Nega have no idea how to resolve the situation when Yuu's magic is of no utility within the alternate reality of the dream storm. Faced with being atop a crumbling mesa along with an ocean that reflects subconscious associations, it ultimately falls upon Yuu to innovate the necessary deus ex machina to escape back home before time runs out for both Shingo and Megumi along with herself.
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#24 - The psychic boy of sorrow
Season 1 - Episode 45 - Aired 5/11/1984
Shingo bawling out Hayato and grousing to himself about Mami's tardiness for a concert obfuscates the ironic reality that she is actually right under their noses computing how to make a flashy entrance while making a deal with the devil in the nearby park as Yuu befriends an esper named Makoto Uchiyama complete with an unlimited backstage pass to visit her at home. True to Mamoru's admonition of caution about him, Makoto wastes no time in advancing his agenda of having Yuu all to himself when he first unleashes his psychic rage unto Shingo for decrying Hayato's generosity; while Makoto is overjoyed to spend time with Yuu and even avoids wearing out his welcome that evening, Posi and Nega comparing notes about the day's events prompts Yuu to seriously consider Mamoru's earlier admonition -- especially when Makoto exerts himself in an emphatic but unsuccessful attempt to destroy her school. Frightened of there being fatalities if Makoto should ever lash out with his psychic powers regardless of its physiological cost on his body, Yuu is ultimately forced to avoid Makoto even though she does not want to; while this tactic gets his attention, it is only after Creamy Mami and Pino-Pino's collaborative intervention that Makoto sees the light and turns over a new leaf.
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#25 - My wonderful pianist
Season 1 - Episode 46 - Aired 5/18/1984
Yuu finds herself learning why the word »assume« is spelled as it is when Toshio gives chase after her for a half kilo-yen bracelet meant as a gift for Creamy Mami; a very vocal intercession from Midori later, Yuu races off to Parthenon Productions where a props stevedore named Takahiro is carrying an awkward payload that includes a ten kilo-yen vase that becomes the primary fatality in the ensuing collision with Creamy Mami who has to perform a talk show in which the vase is to be utilized as a prop; upon having explained the dystopian epilogue of the damaged vase, Mami accompanying Takahiro on his job of cleaning building windows becomes the forum for her to be caught up in the moment and forget about the time while falling in love for the first time. For Yuu, celebrating the discovery of her first love is the last thing on Tetsuo and Natsume's minds as their savage castigation that night instigates the question of why she cannot remain as Creamy Mami forever so that there is no need for all the subterfuge and deception endemic to leading a double life; while normally supportive of Yuu wielding her powers as per her volition, Posi and Nega are astonished at Yuu abruptly rushing off into the night without them to lead Takahiro through a sort of impromptu immersion exercise with the piano. The ironic deus ex machina that helps Takahiro ultimately recover his groove is the very bracelet for which Toshio had body-tackled her earlier; a magical incantation and innovative concert later, Takahiro boards an eastbound airliner as an aspiring pianist.
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