The BEST episodes directed by Matt O'casey
#1 - Blondie: One Way or Another
BBC Documentaries - Season 2008 - Episode 60
Blondie is perhaps the most commercially successful band to emerge from the 1970s punk scene. The original lineup consisted of Deborah Harry (vocals), Clem Burke (drums / percussion), Jimmy Destri (keyboards), Chris Stein (guitar / bass guitar) and Gary Valentine (bass guitar / guitar). New York City-based Blondie was formed in 1974, honing its musical skills at the famous punk rock club, CBGBs, and eventually emerging on top of the new wave scene and then crossing over to the pop music mainstream. Their self-titled first album, Blondie, reflected a punk ethos and 1960s girl group sensibilities or, the Ramones meets the Ronettes, as one music critic opined. Blondie made six albums from 1976 to 1982, the most successful being Parallel Lines, considered by many music critics to be one of the best rock albums of all time. Within this time span, from the late seventies to the early eighties, Blondie constituted a major force on the rock/pop scene, producing a string of hit singles internationally. The most well-known of these singles are the reggae-inspired "The Tide Is High," the rap song "Rapture," and the disco-flavored "Heart of Glass" and "Call Me." More recently, in 1999, the single, "Maria," debuted at number one in the United Kingdom, making this song the sixth number one single for the group there. With this hit single, Blondie reached yet another milestone–the first band to have had a number one single in each of the last three decades in the United Kingdom. And the new album, The Curse of Blondie, and its first single "Good Boys" build on that success. So Blondie continues to make music history and the band's legacy grows. The members of Blondie are true pioneers in every sense of the word. Mark Radcliffe narrates a documentary about New York band Blondie, from their early beginnings in Bowery clubs like CBGBs alongside other up and coming bands like The Ramones, Patti Smith & Talking Heads. The documentary tracks their years of international success, t
#2 - Quadrophenia: Can You See the Real Me?
BBC Documentaries - Season 2012 - Episode 133
In his home studio and revisiting old haunts in Shepherds Bush and Battersea, Pete Townshend opens his heart and his personal archive to revisit 'the last great album the Who ever made', one that took the Who full circle back to their earliest days via the adventures of a pill-popping mod on an epic journey of self-discovery. But in 1973 Quadrophenia was an album that almost never was. Beset by money problems, a studio in construction, heroin-taking managers, a lunatic drummer and a culture of heavy drinking, Townshend took on an album that nearly broke him and one that within a year the band had turned their back on and would ignore for nearly three decades. With unseen archive and in-depth interviews from Townshend, Roger Daltrey, Keith Moon, John Entwistle and those in the studio and behind the lens who made the album and thirty page photo booklet. Contributors include: Pete Townshend, Roger Daltrey, Ethan Russell, Ron Nevison, Richard Barnes, Irish Jack Lyons, Bill Curbishley, John Woolf, Howie Edelson, Mark Kermode and Georgiana Steele Waller.
#3 - Fleetwood Mac's Songbird - Christine McVie
BBC Documentaries - Season 2019 - Episode 201
Christine McVie is undoubtedly the longest-serving female band member of any of the enduring rock ‘n’ roll acts that emerged from the 1960s. While she has never fronted Fleetwood Mac, preferring to align herself with ‘the boys’ in the rhythm section whom she first joined 50 years ago, Christine is their most successful singer-songwriter. Her hits include ‘Over My Head’, ‘Don’t Stop’ and ‘Everywhere’. After massive global success in both the late 1970s and mid-1980s, Christine left the band in the late 1990s, quitting California and living in semi-retirement in Kent, only to rejoin the band in 2013. In this 90-minute film, this most English of singers finally gets to take centre-stage and tell both her story and the saga of Fleetwood Mac from her point of view.