The BEST episodes directed by Don Argott
#1 - Remember This Moment
The End of an Era - Season 1 - Episode 6
Taylor reflects on the success and impact of The Eras Tour as she takes her final bow in Vancouver.
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#2 - Marjorie
The End of an Era - Season 1 - Episode 5
Taylor reveals how family inspired the tour and spotlights tour performers, including Gracie Abrams.
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#3 - Kismet
The End of an Era - Season 1 - Episode 3
As the tour heads back to the U.S., Taylor reminisces about her past and plans some new surprises.
#4 - Magic in the Eras
The End of an Era - Season 1 - Episode 2
Taylor and her crew use a two-month break to update the tour to add "THE TORTURED POETS DEPARTMENT."
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#5 - Thank You For The Lovely Bouquet
The End of an Era - Season 1 - Episode 4
Taylor reflects on her acoustic sets, and welcomes Travis Kelce and Sabrina Carpenter to the stage.
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#6 - Welcome To The Eras Tour
The End of an Era - Season 1 - Episode 1
Taylor recalls the development and rehearsals for the tour and preps for her run at Wembley Stadium.
#7 - Believer
BBC Documentaries - Season 2018 - Episode 246
Believer follows Imagine Dragons’ Mormon frontman Dan Reynolds on a new, personal, mission to explore how The Mormon church treats its LGBTQ members. With the suicide rate rising amongst teens in the church’s home state of Utah, his concern with the church’s teachings forbidding same-sex sexual behaviour sends him on path of acceptance and change. Believer follows Dan and openly gay ex-Mormon and lead singer of Neon Trees, Tyler Glenn, as they create LoveLoud, a festival they hope will reconcile the church and members of the LGBTQ community.
#8 - The Billion Dollar Art Heist
Storyville - Season 2011 - Episode 25
Documentary which chronicles the long and dramatic struggle for control of the Barnes Foundation, a private art collection valued at more than $25bn. In 1922, Dr Albert C Barnes formed a remarkable educational institution around his priceless collection of art, located just five miles outside of Philadelphia. Now, more than 50 years after Barnes's death, a powerful group of moneyed interests have gone to court for control of the art, intending to bring it to a new museum in Philadelphia. Standing in their way is a group of Barnes's former students and his will, which contains strict instructions stating the foundation should always be an educational institution and that the paintings may never be removed. Will politics prevail over a man's dying wishes?